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Leeds International Jazz Conference (LIJC)
is an annual event focusing on jazz research, education and performance.
It is the only conference of its kind in the UK, offering a unique forum
to hear some of the latest sounds and ideas in jazz, as well as
opportunities for discussion and networking, information exchange and
professional development.
LIJC 2008 will take place at Leeds College of Music from Thursday 13 –
Saturday 15 March 2008. We are delighted to welcome Professor Ingrid
Monson as the keynote speaker for the event. Professor Monson is the
Quincy Jones Professor of African American Music at Harvard University,
supported by the Time Warner Endowment. Prof. Monson won the Sonneck
Society's 1998 Irving Lowens Prize for the best book on American music
for Saying Something, Jazz Improvisation and Interaction (1996). Her
most recent work is on Freedom Sounds: Jazz, Civil Rights, and Africa,
1950-1967 (2005). She is also editor of The African Diaspora: A Musical
Perspective (2000).
The conference programme will encompass paper presentations, workshops,
performances and discussions under the overarching theme of Jazz Places
and Spaces. Whilst the classic triumvirate of places - New Orleans,
Chicago and New York - has become well established through the
construction of jazz history, jazz is now regarded as an integral part
of society and community life in many locations across the globe. Within
geographic areas, specific places have functioned as significant centres
for jazz performance, from formal concert halls to informal domestic
situations, leading to consideration of the various relationships
negotiated amongst performers and audiences and the positionality of
jazz in cultural hierarchies. In a more abstract sense, various physical
and virtual spaces for jazz can be created by elements as diverse as
architecture, dance, film, social context, musical forms and performance
practice.
Call for Papers
The conference committee invites proposals for papers, lecture recitals,
panels and roundtable discussions. We welcome presentations that seek to
comment on advances within the field, including commentary on the
emergence of cross-disciplinary thinking and the development of new jazz
scholarship. Proposals are invited for papers on any area of jazz
research; however, possible topics for consideration in accordance with
the theme may include:
Jazz in specific geographic locations
‘Local heroes’
Stylistic associations of places
The effect of migration and multiculturalism on jazz
Jazz communities and scenes
Mythical places in jazz history
The social role of jazz in specific communities
Jazz in the concert hall
Jazz outside the city: suburbs and countryside
Reflections of location in jazz composition and improvisation
Improvisational ‘space’
Jazz outside America
Perceptions of place and space on jazz recordings
Reception of jazz
Jazz places on film
Gender in jazz places and spaces
Jazz and tourism
Individual presentations should be no more than twenty minutes in
duration. There may be opportunities for longer slots for lecture
recitals. Proposals for panels should include details of each
presenter/paper to be included.
Proposals should take the form of a title followed by an abstract of not
more than 200 words. The deadline for submissions is Monday 26 November
2007, and decisions will be notified shortly after this date.
Submissions should be addressed to:
Amy Jagger, Research and Enterprise Administrator
Leeds College of Music
3 Quarry Hill
Leeds
LS2 7PD
a.jagger@lcm.ac.uk
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